Advertisements

Posts Tagged ‘ Footloose ’

Film 2013 : A Preview Of What’s To Come

Like last year 2013 brings  a lot of big blockbuster movies filled with comic book superheroes, sequels and 80’s remakes. Arnold Schwarzenegger, Bruce Willis, and Tom Cruise are back in the mix, saving the world and killing all the bad guys. Even Stephanie Meyers can’t leave us alone after her schmalzy “Twilight Saga” has finally come to an end and gives us a parasitic alien in the form of Saoirse Ronan. Sometimes it really does feel like Hollywood has run out of ideas and just regurgitates what has already proven to be box-office gold. But that isn’t always a bad thing, as you’ll know what you’re getting for your money when you buy a ticket.

Here is a quick rundown of some of the big films coming out throughout the year, but as we know in films, timelines are fluid so see the months as guidelines not craved in stone.

The+Last+Stand_4

January starts of with a big bang and Arni in “The Last Stand”. Schwarzenegger is the disgraced LAPD officer Ray Owens who is serving out his time in the sleepy little town Summerton Junction. When drug lord Cortez (Eduardo Noriega) shows up all hell breaks lose and Schwarzenegger is back to his good old standard of killing people with big guns. Maybe not a film for the Oscars but if you like action movies and are an Schwarzenegger fan “The Last Stand” won’t disappoint, even if the plot is a little weak and the acting a little wooden.

Other Films like “Lincoln”, “The Sessions” and Django Unchained” have already been winning prizes and if you want to know more about them just follow the links.

February is filled with lots of light-hearted comedy in Films like “This is 40”, “Parental Guidance”, “I Give It A Year” and “Wreck-it Ralph”. But there is a good balance with dramas like Oscar nominee “Flight” and Bafta nominee “Hitchcock”.

A-GOOD-DAY-TO-DIE-HARD-Official-Trailer-2-2013-H-1913

However the biggest blockbuster could possibly be action film “A Good Day to Die Hard”. Bruce Willis returns as John McClane and this time it’s his son Jack (Jai Courtney) who needs help. When he discovers that his son is actually a CIA agent trying to prevent the Russians from blowing up the world with nuclear weapons the father and son team up and try and save the day.

March is a month of science fiction and fantasy with “Hansel and Gretel: Witch Hunters” tracking down evil hags and killing them. “G.I Joe” makes a return to cinemas and  Percy Jackson, Poseidon’s son, is also back in “Percy Jackson: Sea of Monsters”. Nicholas Hoult is “Jack the Giant Slayer” and Saoirse Ronan plays “The Host” to a parasitic alien.

elysium

The one to watch is probably “Elysium”. With Director Neil Blomkamp (District-9) at its helm this sci-fi thriller looks promising. In the year 2159 the human population is split in two, the very wealthy who live on the man made space station Elysium and the rest who live in the slums of earth. Matt Damon plays the hero Max who is trying to bring equality back. Jodie Foster is his adversary Secretary Delacourt who will stop at nothing to keep the wealthy rich.

carrie2013620

April, this is where things start to get a little hazy but it looks like we’ll be seeing a remake of Stephen King’s “Carrie” return to the big screen.  Chloe Grace Moretz (Hit Girl from Kick Ass) replaces Sissy Spacek as Carrie, a shy high school kid who discovers her telekinetic powers and unleashes some supernatural nastiness on her peers.  And it could be that this is the month that we see Tom Cruise again in his upcoming film “Oblivion”.

May could be the mega month of releases with “Iron Man 3”, “Star Trek 2”, “The Hangover 3”, “Fast Six” (Fast and the Furious franchise) and the  Lone Ranger all hoping to lure us into the cinema.

Although the “Lone Ranger” is a new project for Walt Disney Pictures it does reunite Johnny Depp and his Pirates Director Gore Verbinski.  Depp is Tonto who tells the tales of John Ried (Armie Hammer) or the Lone Ranger as he’s better known.

The-Great-Gatsby_06

But May is also said to be the month that the long awaited “Great Gatsby “ finally graces our screens.  With Leonardo DiCaprio as Jay Gatsby and Toby Maguire as Nick Carraway it looks like it could have been worth the wait.

June brings back the “Man of Steel”. This time round it’s handsome Henry Cavill (Cold Light of Day) who is clad in the blue tights and red panties but that isn’t his only support, Russell Crowe, Kevin Costner and Laurance Fishburne all make an appearance.

Brad Pitt may prove all doubters wrong that the project “World War Z” was filmable after all, when we see him starring in the Paramount production.

2013-movie-preview-the-wolverine

And Hugh Jackman has let his hair grow again for his starring role in “The Wolverine”. This time around it’s off to Japan, who knows maybe those claws will prove useful when making sushi.

But Will Smith is also back in M Night Shyamalan’s “After Earth”. This action Sci-fi  film is only directed by Shyamalan so hopefully it will be better than “The Last Airbender”.

July reunites Stephen Spielberg with science fiction in his film “Robopocalypse”. The film is based on the book by Daniel H Wilson and seems quite similar to “I, Robot”.

still-of-sam-neill,-ariana-richards-and-joseph-mazzello-in-jurassic-park-large-picture

But again Hollywood gives us sequels with “Grown-ups 2” “The Smurfs 2”and “Dispicable Me 2”, and “Jurassic Park” will be stomping its way back into Cinemas in 3D on it’s 25th (yes really) birthday.

“Dirty Dancing” is being re-made and said to be released in June. But after the disastrous “Total Recall”, “Fame” and “Footloose” reboots of the last few years maybe this isn’t such a wise idea. After all can anyone really replace Patrick Swayze as Jonny and Jennifer Grey as Baby? Some films should just be left alone!

red2director

August gives us the return of the retired, extremely dangerous crowd in “RED 2”, who knows maybe like “The Expendables” this will be better second time round. But “300:Battle of Artemisia” will at least give us scantily clad men with eight packs to watch, even I do yell a lot! And even “Sin City: A Dame To Kill For” and “Robocop” seem to be on the list of films to come out in the middle of Summer.

As for the rest of the films that are coming out this year things seem to be even less plannable. But some of the other 2013 big blockbusters that will be beckoning you to take a seat and nibble some pop-corn are:

“Oz the Great and Powerful” (March)

“Kick Ass “ (July?)

“The Mortal Instruments: City of Bones” (possibly August)

“Monster University”

“Enders Game” (October)

“Thor: The Dark World” (November)

“The Hunger Games: Catching Fire” (possibly in November)

“The Hobbit: Desolation of Smaug” (December)

By Jensine-Bethna Wall

Advertisements

The Top Five and Bottom Five Films of 2012

spideyIt’s that time of year again. The time when we all gather around our fireplaces with the people we love, think back over the past year and compile lists of our favourite things throughout the year. While it may take a few more weeks to finish my Top Five Lists of 2012 list one topic I am prepared to talk about is my favourite films of the year. At the same time I am a man who believes that one must acknowledge and learn from their mistakes and this year is anything if not rife with opportunities to learn. As such, I will also be listing what I consider to be the worst films of 2012. Keep in mind, however, that I am only including films I have seen on these lists, so while I’m sure that The Master has some of the best performances of the year and that Life of Pi is stunningly beautiful and life-affirming I can only see so many films in a year. So without further ado I give you my Top Five and Bottom Five Films of 2012

Top Five Films of 2012

5. Skyfall (Sam Mendes)
Well written and wonderfully acted, Skyfall‘s greatest success is its ability to justify the continued existence of James Bond in a world of technology, transparency and Jason Bourne-style action heroes. It is also worth noting that it is the only film released this year entertaining enough to make me feel compelled to go see it a second time.

4. Avengers Assemble (Joss Whedon)

There are films that actively encourage analytical thought. Films that make you want to sit and discuss their content, debating themes and the use of mise-en-scene. Then there are films that exist purely to entertain and Avengers Assemble succeeds in this regard with great aplomb. Action packed, hilarious and exciting in equal measures, this is a film that will keep your attention throughout. Any film in which you can say your favourite part is ‘the bit where Iron Man went into space’ is certainly a film that will entertain.

3. Holy Motors (Leos Carax)
I feel almost compelled to include a foreign language film in this list lest I fail to get a date to the annual Pretentious Film Critic’s Ball. Thankfully, Holy Motors, Leos Carax’s first feature film in 13 years, is a truly great film that genuinely deserves its spot on this list. One of the most interesting films you will see this year, Holy Motors offers a unique study of modern cinema. This is fuelled in no small part by the wonderful performance, and indeed performances, of Denis Lavant. If you want to see a film this year that not only thinks outside the box but also gazes into the box the whole time then look no further than Holy Motors.

2. Looper (Rian Johnson)

Looper is by no means a perfect film. You can complain about it being overly long or having skittish pacing. That being said, the interesting discourse with the problems of time travel, both physically and ethically, featured in this film is enough to get it a place on this list. This is complemented by the weight of the performances in the film, alongside the world that director Rian Johnson creates, a dystopian future that feels real enough to add tangible weight to the film.

1. Moonrise Kingdom (Wes Anderson)

Director Wes Anderson really ups his game with what is easily one of his best live-action films. Moonrise Kingdom retains his trademark quirkiness, humour and colourful aesthetics but where the film truly excels is in the way it can melt the heart of even the coldest cynic, creating a sense of humanity that allows you to connect with the characters in a way that Anderson has never really succeeded in in his previous attempts. It is this mixed with the all-around stellar performances by the ensemble cast that bags Moonrise Kingdom the top spot on my Top Five Films of 2012 list.

Bottom Five Films of 2012

5. John Carter (Andrew Stanton)
Why might a film fail financially? It might have characters so ludicrous that the audience can never truly connect with them, it might have an incomprehensible plot that makes the film generally inaccessible to anyone or it might be based on such a niche and poorly written source material that the studio has no desire to adequately market the film. Or perhaps, like John Carter, it falls foul of all these pitfalls. There is a reason why this film is now recognised as the biggest box office flop of all time, and that reason is that John Carter is just a very bad film.

4. Liberal Arts (Josh Radnor)

Liberal Arts is a true example of an emerging subgenre of filmmaking that can best be described as pseudo-intellectual, cliché-ridden indie movie nonsense. While the film clearly thinks it is a lot cleverer and funnier than it actually is I would almost be willing to ignore this were it not for the film’s complete and utter lack of subtlety. Liberal Arts is a film that beats you over the head with its themes until you beg for death and then afterwards asks for a nice pat on the back for being so clever as to have themes in the first place.

3. Ruby Sparks (Jonathan Dayton and Valerie Faris)

Listing my complaints about this film would be like just copy and pasting my views on Liberal Arts. The key difference with Ruby Sparks is that it goes out of its way to have a horrendously quirky plot and unlikeable characters while at the same time failing to approach what could have been an interesting subject matter, the ability to exert complete control over your partner, with any degree of tangible depth.

2. The Amazing Spider-Man (Marc Webb)

This is a film whose only entertainment value is how laughably bad it is. With the worst use of 3D I have ever been forced to sit through and ridiculous scenes such as the one where Spiderman learns how to use his powers in an afternoon by re-enacting the warehouse dance scene in Footloose, or the overly dramatic slapstick scene involving cranes, the ironically named The Amazing Spider-Man is, simply put, one of the worst superhero films of all time. And yes, that does include Daredevil.

1. About Cherry (Stephen Elliot)

About Cherry is a truly deplorable film. Claiming to tell the tale of a young girl who empowers herself through her involvement with the porn industry I might have been able to buy into this premise had the eponymous Cherry not been portrayed as a hapless child with no autonomy who gets into porn by accident and stays in porn because its simpler than taking control of her own life. The film also features a number of pointless star-studded cameos including a grossly under-used Dev Patel as the voice of reason who is chided by Cherry every time he talks sense and James Franco who, likely in preparation for his role in the upcoming Oz the Great and Powerful performs his great disappearing act and just vanishes from the film halfway through. To be honest, however, I doubt you will be able to keep watching the film up until that point.

And with that the year that was 2012 comes to an end, not with a bang but with an exasperated sigh. Now we can start to look forward to 2013, the first year I have been genuinely excited for in a long time. With so many great films to be released I’m not sure what I want to see most of all. Perhaps I should make a list.

-David O’Neill

Friday the 13th – A Blatant Rip-off Of A Far More Superior Work?

Hailed as one of the most iconic horror films ever made, and being the zygote that spawned the iconic hockey mask wearing Jason Voorhees, “Friday the 13th” (1980) is possibly one of the worst horror films that I’ve seen. Not only is it a blatant rip-off of John Carpenter’s “Halloween” (I think the script writer himself admitted that he wrote this to cash in on the Michael Myer’s craze) it also has aged very badly and is extremely dull and unbelievably boring. It doesn’t come anywhere near to matching the knuckle-biting, chair-gripping suspense of “Halloween”, and nor does it have anything on the crazy, nihilistic atmosphere as “The Texas Chainsaw Massacre”. And also, it lacks the style and horror of the later film from Wes Craven, “A Nightmare on Elm Street”. I could go on, but I won’t. The films I just mentioned there are other considered classics; “Friday the 13th” is not of their calibre. It has as much the right as being ranked up there with them horror greats as “Gremlins” does. Directed by Sean Cunningham who had before this helped produce Wes Craven’s controversial debut “The Last House on the Left”; I thought that after having experience working on such a nasty and violent film like that, that Cunningham would have done the same with his own slasher. But instead what he did was kept the violence at a minimum and just spent the whole film watching the teenagers from the killers perspective as it roams around the forest stalking them. Nice idea Sean, but it had been done already in “Halloween” no more than three years before you! There are some nice gory and violent killings at the beginning, thanks to some smart editing, but as the film progresses, it rapidly runs out of steam because the murders get less and less violent.

I think everyone knows the plot at this stage. Camp Crystal Lake has been closed for years, but it’s having a re-opening during the summer and the camps counsellors are working hard to have the place in good condition for the summer months. They’ve been warned by the town looney from down the road that they are all going to die because the place is cursed. But as usual, the guy is crazy, so why heed his warning? What these teenagers weren’t told is that back in the late 50’s, a young boy named Jason drowned in the lake because the counsellors were too busy having sex to notice and help him. The events in the film take place over one night, as an unknown assailant stalks and murders each one of the counsellors…

Well, I don’t want to spoil this movie so I’ll refrain from saying what it is I want to say, the thing that disappointed me the most – and I think anyone who has the seen the film will know what I’m talking about as it has something to do with the killer… or for lack of a better phrase, who ‘isn’t’ doing the killings. I’ve probably said too much there, but ah well. When poor little Victor Miller wrote the script for this film, he had no idea that Cunningham would get carried away and turn the film into the mad franchise that it is today – it’s even bigger than the Freddy Krueger and the “Halloween” franchises with a grand total of nine sequels (For a while there I thought that “Saw” was gunning to either match or over-jump this record). Add that with a cross-over with Freddy in 2003, and of course, an inevitable remake. A very young Kevin Bacon from “Footloose” stars in one of his very first roles. The acting is atrocious, but I don’t blame the actors for their lousy dialogue and whatever, because the script was just horrendous from Miller. It shows no merit, no innovation, and most of all, it shows no ‘talent’ whatsoever and this could have easily just passed off as some amateur’s low-grade feature. Had it not spawned such a huge franchise, I may have looked upon this film differently but you can’t help going into it with high expectations when it has generated the reputation that it has had over the years. The ending, I have to say, is very frightening, but apart from that, I hated everything about the film; from its ridiculous opening credits with the logo crashing through class, right down to the twists and turns and the despicable characters. To say that the only interesting parts in the film are when someone gets brained with an axe or their throat cut makes me sound psychotic, but also just goes to show how dull the film really is.

Joe Callan

Advertisements
Advertisements